Abstract
We launched Organizational Aesthetics (OA) in 2012, with four sections, Theory, Practice, Art, and Reviews. And perhaps most importantly there was a piece by Nancy Adler that didn’t fit into any of the sections. Over the years, pieces that didn’t fit into any of the sections have been amongst my favorite pieces as I have always believed that OA should be a home for work that is at the edge of academic and artistic conventions – work that doesn’t fit neatly anywhere else.
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