Abstract
In The Age of Loneliness, June, a young playwright struggles with what comes after her success with her play, The Adventures of Yahweh and Kapital (seen previously in, The Invisible Foot). Can Yahweh and Kapital get along, what sort of relationship will they have, can they survive in a post-growth world, should she even keep writing the play? If this truly is the end of the neo-liberal consensus, what comes next? Can an omnipotent, immortal die?