A becoming on the line: painting and the genesis of form
Organizational Aesthetics Cover Issue Vol. 2(1)
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How to Cite

JD, D., & Borghini, S. (2013). A becoming on the line: painting and the genesis of form. Organizational Aesthetics, 2(1), 84-96. Retrieved from https://oa.journals.publicknowledgeproject.org/index.php/oa/article/view/23

Abstract

Art puts a question upon the world of ideas and perceptions. A question that artists pause upon in their every day practices with matter, mediums and minds. It is composed of the vivid sense of openness, unpredictability and chance that emerges with creativity: how open is the world around us - and in us? It comes to challenge the vision we have concerning the world and primarily the notion of strong determinism. Art is occupied in the generation of forms, from the times of its beginning in the caves of the Paleolithic. Ever since, and today more than ever, Art declares that aesthetic is not arrested in frozen objects, but rooted in the open dynamics of life, in the complex activity through which forms emerge, sustaining and modifying themselves. The journey of an artist into morphogenesis and aesthetics happens between experimental exploration and selected constrains. Through the subtle interplay between the chaotic and the coherent the artist understands aesthetic from within. The outcome is a work that confronts the constraints of what is the expected dénouement of a painting, and explodes in a multiplicity of images and worlds.

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